Is it time to extend the concept of responsible travel to the photos we take?
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A reflection about dignity in dementia care and in photography of ill health. This essay was commissioned by The Lancet and based on Savannah Dodd’s project Thanks, Gd.
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What ethical issues arise in the visual coverage of war? In the visual reporting of Russia’s invasion of Ukraine, what are we seeing and what should we be seeing?
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Fundraising appeals led by the people they intend to help can raise more money and be more effective than those created by the charity itself – according to new research by the University of East Anglia (UEA) and University of the Arts London (UAL).
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The Photography Ethics Centre has launched a campaign to encourage organisations and professionals in the photography industry to publish their Statements of Ethics.
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The Belfast-based Photography Ethics Centre is today launching a new campaign encouraging photographers, editors, curators, organisations, and other professionals in the photography industry to write and publish Statements of Ethics. Amid tectonic shifts across the industry, ethics provides crucial foundations on which photographers can ground their work.
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The Photography Ethics Center is asking all photographers to commit to publishing a statement of ethics on their websites. By doing so, the hope is that all photographers will think more proactively about the ethics of their work.
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The Photography Ethics Centre is today launching a new campaign encouraging photographers, editors, curators, organisations, and other professionals in the photography industry to write and publish Statements of Ethics.
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Savannah Dodd, a Portaferry resident, has attended a celebratory event in the House of Lords, having been recognised as one of the UK’s 100 most inspirational female entrepreneurs.
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At the end of 2021, Dignified Storytelling released a handbook to promote storytelling practices that are grounded in the human right to dignity.
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Unpacking the fundamentals of photographic consent, including informed consent, consent forms, who can consent, and non-consent.
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This conversation between Savannah Dodd, the founder of the Photography Ethics Centre, and David Campbell starts to set out the landscape of ethics.
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December 2, 2021
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“We are not trained in school about how we make meaning in photographs or read photographs yet we are doing it every day. As a culture we currently don’t have the skills to navigate that.”
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Savannah Dodd speaks with Alice Chautard at the University of Oxford’s REACH programme for water security on photography ethics in international development.
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BBC Correspondent Allan Little addresses the gulf between the reality of war and our ability to comprehend it from afar. He picks ups on Susan Sontag's essay on war photography.
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While turning the camera inward may alleviate ethical qualms about positionality, photographing the people closest to us is not without ethical considerations. Seven photographers discuss the ethics of working on stories close to home.
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The famous photo agency has had to confront big questions about the role of its storied archive in the photo industry today.
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What are the ethics of photographic collage? How can we navigate questions of authorship, (de)contextualisation, and aestheticization, especially when working with images of trauma?
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