December 3-6, 2024
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October 3, 10, and 17, 2023
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Although the proportion of Black African and Caribbean journalists has increased in recent years, Black journalists interviewed confirmed that newsroom processes continued to be exclusionary and racism was commonplace.
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What ethical issues arise in the visual coverage of war? In the visual reporting of Russia’s invasion of Ukraine, what are we seeing and what should we be seeing?
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December 2, 2021
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BBC Correspondent Allan Little addresses the gulf between the reality of war and our ability to comprehend it from afar. He picks ups on Susan Sontag's essay on war photography.
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After my podcast interview with Smita Sharma earlier this autumn, I wanted to learn more about her experience photographing “Stolen Lives: The harrowing story of two girls sold into sexual slavery” for National Geographic.
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The collective movement toward a more considered practice that puts an emphasis on respect, safety, and sensitivity toward the people in our images may feel threatening when we reflect on our past practice.
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Over the course of the coronavirus pandemic so far, there have been many questions raised about what it means to visually represent a public health crisis ethically: What kinds of visual stories do we need?
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In their second collaboration, Andrew Jackson and Savannah Dodd discuss the impact of the prioritisation of the white, male gaze, both for photojournalism and broader society.
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This week, we have launched a brand new online training course designed specifically for photojournalists and documentary photographers.
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“‘Fixing’ the Journalist-Fixer Relationship: A Critical Look Towards Developing Best Practices In Global Reporting is a study of the relationship between foreign correspondents and fixers, the local journalists who are hired to help journalists achieve their reporting goals around the world.”
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